En la charla posterior a la performances contaremos con la participación de BARRY KOSTRINSKY, presidente de ATOA Artists Talk On Art
2000 graduated from Royal College of Art London in 2000 (MA),Goldsmiths' College in 1994 (BA). 2000-2003 Picker Fellowship Award Kingston University. Art foundation and studio Germany 2005-2020, organizing international Performance Art Workshops/Residencies, producing international performance art event transitstation started in London 2003, Berlin 2005, Edinburgh 2006, Copenhagen 2010. 2002 – 2017 Senior Lecturer Kingston University, London specializing in Performance Art, 2004 – 2020 international/national Live Performances/Exhibitions
THE PURGE OF PAINTED DESIRES
The
proposal of “ The Purge of Painted Desires “ as a zoom performance for November
22, 2020 PEPA online event will further research its visual extensions with the
contradictions of appropriations towards a virtual presence. It endures the
location, yet is discovering corners to become potent spaces, stripped of their
function to have been a room corner, surfaces which appear as flat canvas by
first impression, transform into the scape zone of the middleground of painting
or seen in Zen Master Eishu’s Landscape drawings, become
the definitive only for a brief moment before it escapes.
The
idea of escape returns with the aspect of desire. The centre of attention may
dissolve as the virtual, flat screen is not infinite in its corners. Who, may I
ask is the viewer of the edge?
dagmar-glausnitzer-smith@squarespace.com
werftraum.org
transitstation.de
Instagram: glausnitzerthesmith
FB: https://www.facebook.com/dagmar.i.glausnitzersmith
Tatiana Koroleva is a multi-disciplinary artist and researcher who works in the mediums of performance art, video art and creative writing. Living and teaching Studio Arts in Montreal (Canada), Koroleva explores intersections of art practice and theoretical research in cultural anthropology and art therapy. Focusing on participatory aspects of performance art, Koroleva reinvents ritualistic practices in the context of late-capitalist societies.
NO LIMIT
My work focuses on therapeutic aspects of performance art and the process of community formation through the methods of interactive performance. Conceptually, my work engages with the subjects of ritual, transformation of individual subjectivity and formation of alternative models of the body and the self in the framework of ritualistic performance art. Engaging my audience in the communal action I search for the ways to reconstruct the notion of the collective body associated with the folk models of the self. I am interested in exploring the possibilities of sensual communication through touch, smell and sound to unfold the therapeutic quality of collective ritualistic practices. Intimacy of emotional and physical experiences is the starting point of my performative experiments. I search for the ways to transcend socially-constructed models of individuality promoted in contemporary late-capitalist cultures and to create new mechanisms of formation and reinforcement of community through the means of ritual.
Víctor Ripoll nace y vive en Madrid. Es
licenciado en Comunicación Audiovisual por la UCM y en producción por la ECAM.
Desarrolla su trabajo artístico a través del videoarte y la performance.
POLÍTIC@S BARAT@S (CHEAP POLITICIANS)
El videoarte y la performance como defensa
del ataque constante al que somos sometidos y la respuesta al por qué.
Trabajo
sobre temas que asumo como cotidianos y de actualidad, pero que en realidad son
extraordinarios en nuestro día a día.
Exprimo la complejidad del tema que me
interesa hasta que consigo un concepto a priori sencillo con el que poder
trabajar y llegar al máximo de espectadores posibles. Deseo poder encender el
interés y la reflexión sobre lo extraordinario que nos rodea y que hemos dejado
de ver. Es necesario dar un golpe en la mesa y hacer un arte que nos posicione
en la sociedad de la que formamos parte. Soy parte del problema pero también de
la solución.
Instagram - @v_ripoll